Neil Gordon

Exterior Solar Shades for Aufgang Architects

 
In the spring of 2014, I received a phone call from an Architect inquiring about exterior shades for his new building. He explained that he was planning a sustainable corporate headquarters for his firm Aufgang Architects where his intention was to install the latest technologies such as a geo-thermal heating system. He thought exterior shades would be a great complement to his wish list of sustainable solutions.

As we continued to talk on the phone, he told me the building’s location and to both of our surprises it was only 15 minutes away. Without hesitation, I jumped into my car and was sitting in his office moments later. 

I met Ariel Aufgang that day and was impressed with his busy architectural firm. While in his office, Ari showed me the rendering of the brick façade building with black mullion windows. He explained that he wanted to provide solar heat gain protection to the southern street facing façade. Not only was he concerned for reducing the amount of solar energy entering the space he was also worried about the need for glare control due to the generous daylighting.

Exterior Solar Shade

Building Rendering

I immediately knew the ideal solution to address Ari’s specific needs as well as how to complement the design of the building with an exterior shading solution. My recommendation was our cable-guided exterior shade from Model System Italia the FM41. This is a simple motorized gravity assist shade with a 6” round aluminum enclosure with 6mm side cables and a Serge Ferrari fabric the Soltis 86 Exterior Shade Fabric.

Exterior Solar Shade

Model FM41

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InSync Solar in WF Vision Magazine March/April 2015

We wanted to share with you our latest writing we did in WF Vision Magazine for the March April 2015 magazine. First we wrote an article entitled “The Next Generation of Window Treatments” – it’s really a great concept and hopefully you find it equally enjoyable and informative. You can see the article below or use the following link and go to page 20-21 (or page 23-24 if you are viewing it online) 

InSync Solar in WF Vision Magazine March/April 2015 Read More »

Allianz Headquarters

 Great article below on the Allianz Headquarters

Within the double skin hangs an aluminum coated silver drapery, which fluctuates its degree of shading by responding to external environmental factors–a process administered by a computer controlled algorithm.

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Making It | Woven in Time

Below is a great article we wanted to share with you. No matter if it’s a shade or a drapery, selection of fabrics is an intregal part of the design – make sure you choose wisely.

Le Manach’s Palmyre fabric, first printed in 1931 and still available today; a weaver at work in the 1930s on a hand loom that is still in use today.Historical image: courtesy of Pierre Frey. Fabric: Marko Metzinger.Le Manach’s Palmyre fabric, first printed in 1931 and still available today; a weaver at work in the 1930s on a hand loom that is still in use today.

One of the last great French fabric houses, Le Manach, with its centuries-old techniques and unparalleled weavers, finds a new home for the future.

For nearly 200 years, and in the hands of the neile family for five generations, the French textile maison Le Manach has created some of the most luxurious fabrics in the world. The company’s hand-loomed silks and velvets can be found in many of France’s great houses, from the Élysée to Versailles to Fontainebleau. Devotees have included Lee Radziwill, who never decorates a home without calling upon Le Manach, and Diana Vreeland, Louise de Vilmorin and Deeda Blair. And among its professional clientele are Pierre Yovanovitch, India Mahdavi, Miles Redd and Jacques Grange, who recently used Le Manach to adorn the walls of Francis Ford Coppola’s Palazzo Margherita hotel in southern Italy, among many other projects.

So when it emerged that this historic family-run company was in serious financial difficulty, it goes without saying that many were dismayed. Could one of France’s last great fabric houses be facing the guillotine? Fortunately not, for it would be given a reprieve by another of France’s famed fabric houses: Pierre Frey, which acquired Le Manach last spring. Although Pierre Frey is a relative newcomer to the fabric game — the company was set up in 1935 — the two share the neile ethos: family businesses steadfastly committed to craftsmanship and French cultural heritage, while at the neile time pushing innovation forward. “I had always loved these fabrics,” says Patrick Frey, the president and creative director of the company and son of its founder. “They were the crème de la crème. Aside from the quality of these materials, which is quite exceptional, they are just completely magical. The feel of the cloth, the look of it. . . . What more can I say?” Adding Le Manach to its stable made sense for Pierre Frey, which over the years has also acquired BraqueniéFadini Borghi and Boussac, three legendary mills in their own right.

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The history of the roller shade, and how far we’ve come with InSync LiteLift!

Scotch Holland Roller Blinds’ originated in the early 1700s. They were made from Holland linen, which came from the Netherlands. The fabric was first produced in Glasgow, Scotland, by James Louis Robertson and John King, hence the name ‘Scotch Holland.’

Before being used to make roller shades, the durable Holland linen fabric was bleached, dyed and starched. It was then dried and pounded by solid wood bars. The whole production process lasted around ten days.

The first roller shade made from Scotch Holland linen did not have a spring mechanism. Instead, when the blind was closed, the fabric lay in folds on the window ledge. To open the blind, you had to pull on a cord which was attached to a top rod. To secure the open blind, you wound the cord around a cleat.

The history of the roller shade, and how far we’ve come with InSync LiteLift! Read More »

Daylighting & Glare Control with SolarBlade

SolarBlade is a combination of our aluminum louver shutter combined with our DEKO Cassette and high performance fabric.

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Daylight Harvesting

The concept of SolarBlade is to harvest the natural daylight into the room. This thenoffsets the amount of electricity needed to properly light a space which then reduces energy consumption. An ideal showcase for an Engineered Daylighting Solution. 

This sustainable concept of harvesting natural daylight is a major goal for any LEED project. However, the USGBC has recognized the draw back of such harvesting. Here is a quote from their website: “Glare control is perhaps the most common failure in Daylighting strategies. Large windows provide generous amounts of daylight. If not controlled, properly, this daylight can produce unwanted glare and affect interior lighting quality. Measures to control glare include light shelves, louvers, blinds, fins, and shades… Glare control is required for each window.” 

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